Writing Through Improvisation
Start with one concrete observation from your immediate environment. Ask: "What happens if I follow this thread without knowing where it leads?"
Example: Notice ceiling cracks → What if they spread? → Ceiling caves in → See wires, pipes → Roof caves in → See clouds → Clouds fall → Only blue remains → Blue drains out → Stars visible → Stars fall → Black remains → That's the funeral shroud.
Phase 1: Pre-linguistic Observation
- Slow down completely
- Drop all assumptions about what you're observing
- Notice raw sensations before naming them
- Resist using "off-the-rack" phrases
Phase 2: Extended Following
- Pick one concrete detail
- Ask "What happens next?" repeatedly
- Stay literal, avoid rushing to symbolism
- Follow the thread until it reaches natural conclusion
Phase 3: Layered Description
- Think like a painter - consider horizontal layers
- Stack visual elements for the reader
- Let exterior description reveal interior character
- Treat inside/outside as coextensive, not separate
Phase 4: Patient Revision
- Expect some passages to take years
- Keep returning to calibrate language
- Stay with pieces until they feel right
- Remove any language used just for show
Example 1: Basic Observation Exercise Input: Swan boats on Boston Common pond Process: Sit and observe → Notice layers (water surface, reflections, movement patterns, children's reactions) → Stack these as painter would → Let character experience emerge through the description Output: "The swan boats carved white wakes through water that held three skies - the real one above, its reflection below, and the third sky created by the overlapping ripples, each carrying fragments of cloud and child-laughter."
Example 2: Following a Thread Input: Character notices something unexpected Process: Stay with the character → Don't explain away the observation → Follow where it leads literally → Let meaning emerge naturally Output: Like the ceiling cracks example - start with hallucination, follow to complete structural collapse, end with funeral shroud imagery
Observation Skills:
- Work like you're pre-linguistic - before words exist
- Pay attention as a learnable skill, not natural talent
- Spend time not knowing rather than rushing to understanding
- Model thoughtfulness, not specific techniques
Language Approach:
- Avoid habituated phrases that help you "get through your day"
- Sift down below received wisdom and etymology
- Each sentence should discover something unexpected
- Write in service of the reader, not to show off
Structural Thinking:
- Don't separate interior/exterior experience
- Use description to reveal character
- Think in layers and systems, not linear progression
- Let emergence happen - properties that couldn't be predicted
- Rushing to meaning: Stay literal longer than feels comfortable
- Using formulaic language: Avoid phrases you've used before in similar contexts
- Separating inside/outside: Don't toggle between "interior" and "exterior" modes
- Teaching your method as universal: This approach works for some writers, not all
- Showing off with language: Write for discovery, not applause
- Giving up too early: Some passages require years of patient return visits
- Plotting ahead: Let the writing discover where it wants to go
Remember: This is about developing your own aesthetic through sustained attention, not copying someone else's voice.